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May Newsletter

BOOK OF JUDITH

Set in a tent on the CAMH Grounds under the direction of Sarah Stanley and choral leadership of Alex Bulmer, a choir comprised of individuals with varying disabilities will help share in the gospel as they perform to the musical score of The Book of Judith composed by Andrew Penner.

Costumes by Beth Kates. Musical Direction Nick Carpenter. Graphic Design Stephane Monnet. Stage Management Tanya Greve. Production Management Andrea Lundy. Assistant Production Manager Lindy Zucker.

May 19 – May 31st

 

Tuesday to Saturday 8pm

2:30pm Matinees: Saturday May 23, May 30, and Sunday May 24th

Sunday 31st 11am

CAMH grounds (Centre for Addiction and Mental Health) 1001 Queen St. West

*** Look for the outdoor tent – just east of the main entrance

www.theatrecentre.org / www.bookofjudithplay.blogspot.com

Tickets: $20, groups of ten or more $10

CALL 416-534-9261

COME TO PICASSO PRO LAUNCH SUNDAY MAY 31ST!

Dear artists, friends and colleagues,

I’m writing to personally invite you to the Launch of Picasso PRO”s new 30 month program in collaboration with Creative Trust. All details for the Launch are at the bottom of the Press Release which is attached and also pasted below.

Please mark Sunday May 31st, 4:00 pm in your calendars! We look forward to seeing you at Tallulah’s Cabaret at Buddies in Bad Times Theatre!

RSVP’s are greatly appreciated. yours, Rose

bridging disability and the performing & media arts

for immediate release: April 27th, 2009

media enquiries: Rose Jacobson

Picasso PRO Launches New Program in Collaboration with Creative Trust

Picasso PRO, a long-term project focused on bridging disability and the performing & media arts, is delighted to announce a new 30 month program cycle in collaboration with Creative Trust made possible through a province-wide grant from the Ontario Trillium Foundation, an agency of the Government of Ontario.

Picasso PRO was formed to facilitate genuine opportunity for artists with disabilities and Deaf artists in the performing and media arts. It springs from the passionate conviction that Deaf and disabled artists belong on Canada‘s stages and screens and among our audiences, professional staffs, teachers and cultural leaders.

Since 1993, Picasso PRO, originally called DIS THIS!, has enjoyed five programming cycles under the management of Rose Jacobson. Picasso PRO remains highly responsive to the community’s needs through an evolving program of skills development, artist support, networking, creation, collaboration and services for the up and coming professional. All activities are grounded in a strong commitment to the artists’ creative, professional and human rights.

“Ryerson’s Disability Studies Program recognizes an urgent need for dedicated arts professionals to mentor and support the emergence of fresh new voices from the diverse and far-flung disability community. Picasso PRO serves a unique and critically important role in building artistic and cultural capacity and supporting distinct artistic practice in Toronto and Ontario.” – Catherine Frazee, co-director Ryerson RBC Institute for Disability Studies Research & Education

Creative Trust’s mandate aims to improve the financial health and sustainability of some of Toronto’s most innovative and accomplished performing arts companies. Together CT’s members represent a sizeable chunk of the professional producing, presenting and training performing arts companies in Toronto.

Access is a key point of entry for Picasso PRO’s collaboration with Creative Trust. Along with other artistic and peer-to-peer opportunities, we will research facilities and advocate for resources to improve barrier-free access to Toronto and Ontario’s arts venues.

“This collaboration is based on trust and an awareness of overall social goals which go beyond any one organization’s efforts. It is bound by personal connections; it is peer-based. It requires knowledge-sharing and mutual support in dealing with complex problems.” – Jini Stolk, Executive Director Creative Trust

Picasso PRO/CT’s upcoming workplan positions Ontario’s artists with disabilities firmly within the international Dis-Art movement and hopes to act as an agent of social change, documenting the sector while supporting professionalism and excellence in artistic practice by:

  • Building new regional networks through outreach to targeted communities
  • Consolidating best practices and sharing tools with communities outside Toronto
  • Enhancing the careers of intermediate and senior Deaf artists and artists with disabilities
  • Identifying younger artists (18-25) and introducing them to a variety of arts practice
  • Challenging industry standards, non-inclusive practices, negative media depictions of disability and advocating for positive alternatives.

Over the past 15 years Picasso PRO has grown from a nucleus of eight core artists to a pool of over 70 active participants, 30 artists in teaching/mentoring roles,18 ASL Interpreters, physical facilitators and tech specialists as well as more than 40 associate organizations, groups, community activists and advocates. Our specialists have included Alex Bulmer, Fides Krucker, Caglar Kimyoncu, Michael Kennard, Kate Lynch, Viv Moore, David Skelton, Donna Michelle St-Bernard, Mark Christmann, Karin Randoja, Paula Wing and Josette Bushell-Mingo to name only a few.

Aside from the obvious power which self-determination engenders, it is producing a vital canon of work: films, stories, performances, books, plays, installations and entirely new artforms created though the prism of disability. This is the work that Picasso PRO/CT intends to nurture and support.

“Someone once told me that you need to plant your own garden instead of waiting for someone to give you flowers…so… always remember to surround yourself with gardeners! We feel that Picasso PRO is building a greenhouse… so thank you Picasso PRO!” – Kat Germain and Allen Redford, founder and artistic associate, the Mutt Theatre Company

Please join us in celebrating the official Launch of Picasso PRO/CT on Sunday May 31st, 2009 at Tallulah’s Cabaret, Buddies in Bad Times Theatre, 4:00 – 6:00 p.m.

-30-

Picasso PRO/CT Launch

Sunday May 31st, 2009, 4:00 – 6:00 pm

Tallulah’s Cabaret, Buddies in Bad Times Theatre

12 Alexander Street, Toronto, via side entrance/ramp

[1 block east of Yonge Street, 2 blocks south of Wellesley]

ASL Interpreters onsite, fully wheelchair accessible

Meter-box street parking and small adjacent lot. Convenient drop-off for WheelTrans

and drivers. Nearest TTC: Wellesley Station at Yonge or College/Carlton at Yonge

The Program

Brief remarks and performance tidbits followed by informal networking

and drinks; cash bar; light snacks available. RSVP’s appreciated to Rose Jacobson: jacobsonr@sympatico.ca or 416-536-7522. Space limited.

The Directors’ Showcase & Exchange May 15 – 17


Crow’s Theatre will host The Directors’ Showcase & Exchange May 15 – 17 as part of an on-going partnership with the National Theatre School of Canada. Over the course of three days, Crow’s Theatre will host a trio of exceptional young directors – Philip McKee, Vahid Rahbani and Anita Rochon – as they showcase their work at the Theatre Centre, Theatre Passe Muraille and 90 Lisgar Street. The weekend will feature work by some of the world’s most startling contemporary dramatists – including Bernard-Marie Koltès’ In the Solitude of Cotton Fields and an original piece from creator/performer Anita Rochon. The weekend will also feature two plays by UK innovator and legend Caryl Churchill; Philip McKee directs her classic Far Away, immediately followed by staged readings her latest work Seven Jewish Children: A Play for Gaza – directed by NTS alumnus Rose Plotek.

On Saturday May 16th, Crow’s Theatre will present the Directors’ Exchange, a panel discussion and Q&A that will bring together some of Canada’s most exciting directors and artistic leaders.

Curated by Christian Barry, the Directors’ Exchange invites artistic leaders to reflect on director training, cultural leadership and their own paths from emerging artist to Artistic Director. Panelists and speakers include Peter Hinton (Artistic Director of English Theatre, National Arts Centre), Matthew Jocelyn (incoming Canadian Stage Artistic Director), Jillian Keiley (Artistic Fraud), Daniel Brooks (Necessary Angel), Richard Rose (Tarragon Theatre), Lise Ann Johnson (Great Canadian Theatre Company) and many more. The afternoon’s events will be moderated by Sarah Stanley (Die in Debt and Co-Director, NTS Directing Program).

All events are free and open to the public, but space is limited. Register at crowstheatre.com to save your seat.

CONTACT PHOTOGRAPHY – MOCCA

FESTIVAL LAUNCH & EXHIBITION OPENING CELEBRATION
FRIDAY MAY 1, 7 – 10PM

Free
Museum of Contemporary Canadian Art
952 Queen St W
Wheelchair accessible
www.contactphoto.com
www.mocca.ca
416 395 0067

Join us for the launch of the 2009 festival and the opening of our primary exhibition Still Revolution: Suspended in Time at the Museum of Contemporary Canadian Art. Come celebrate the start of an exciting photo-packed month of exhibitions and events during an evening of reveling with festival artists, photographers and special guests. Official Exhibition Sponsor: Scotiabank

Image Credit: Stan Douglas, Abbott & Cordova, 7 August 1971, 2008 (Detail). Courtesy the artist and David Zwirner, New York

CONTACT Toronto Photography Festival, a not-for-profit organization, founded in 1997, is generously supported by Hewlett-Packard (Canada) Co., Scotiabank, BlackBerry, Tourism Toronto, TVO, Fashion Television, Toronto Life, CP24, Now Magazine, enRoute Magazine, The Gladstone Hotel, The Drake Hotel, 3M Canada, Genstar and Beyond Digital Imaging. CONTACT gratefully acknowledges the support of Canadian Heritage, Canada Council for the Arts, Ontario Arts Council and Toronto Arts Council.

As the largest photography festival in world, with over 1,000 local, national and international artists participating at more than 220 venues across the GTA, CONTACT attracts over one million visitors. CONTACT is devoted to celebrating and fostering an appreciation of the art and profession of photography. For more information, visit www.contactphoto.com .

For more information on CONTACT or to interview a CONTACT spokesperson or artist, please contact: Bunmi Adeoye, NKPR, (416) 365-3630 x 26, bunmi@nkpr.net

DISCUSSION CORNER: A Statement by Simon Malbogat on the Death of Augusto Boal

AUGUSTO BOAL 1931-2009

I met Augusto Boal in 1985 during a Canadian Popular Theatre Alliance Festival and learned about the Theatre of the Oppressed and its techniques. Augusto opened the idea of breaking down the fourth wall, and started me on a path of interactive theatre.

At the time I wondered how to apply these concepts to the theatre that I was involved with and found it very difficult until 1990 when I became the artistic director of Mixed Company Theatre. I quite quickly started to use forum theatre to create theatre with the community collaborating with youth, the homeless and various other sectors of society. I began to apply the fantastic concepts that Augusto talked about and showed us during the workshops sessions.

I found that it was natural to me to become a Joker and I have loved the role ever since.

Watching Augusto enjoy his relationship with his audience, or as he called them the spect-actors, was a joy to behold. In 1991, after viewing four Mixed Company forum theatre presentations, Augusto honoured Mixed Company by inviting us to become a center of the Theatre of the Oppressed, which we have been for the last 18 years.

I want to take this opportunity to acknowledge Augusto Boal for taking theatre back to its roots where everyone is creative and are experts within their own lives. The idea of working with a group of people and trying to come up with options, alternatives and possible solutions to problems that were presented, set me on the course of using theatre as a tool for social change and I thank Augusto.

On behalf of everyone at Mixed Company Theatre, I’d like to extend our condolences to the Boal family, and the many people whose lives have been touched by him.

VOLUNTEER FOR STAN’S CAFE

Dear Volunteer,

Harbourfront Centre’s World Stage has just opened Of All The People In All The World (http://harbourfrontcentre.com/whatson/today.cfm?id=784), by renowned UK theatre company, Stan’s Cafe. Of All The People… is a performance installation that uses a billion grains of rice to tell the demographic story of the Americas. It’s toured around the world and we are thrilled to be presenting it for the first time in Toronto.Because the show is a durational work, we’re looking for volunteers to help welcome guests, offer them a grain of rice, keep track of attendance, and invite them to enter the installation. It’s not a typical front-of-house position – it should be a lot more exciting.

The show runs from May 13-24, from 10 am to 6pm. We still have spots to fill! While this is a volunteer position, please note that we will remember who you are, and that Harbourfront Centre always makes sure our volunteers are first in line for extra tickets and other good things! This show is extremely special and we hope you can help us make it happen.

If you’d be available to help please contact Laura Nanni at lnanni@harbourfrontcentre.com

Thanks. We hope to hear from you soon.

THE HAROLD AWARDS – Monday May 25

Calling all Subversive Theatre Types….

This email is to alert you that THE HAROLD AWARDS are right around the corner: on Monday May 25th. This year they return to the Queen West neigborhood (at the Canadian Corps Legion on Niagara just south of King). We’re thinking down n dirty par-tee. David Gale is your host. Scott B Sympathy performs. There will be a special Harolds film by Kirsten Johnson. There will be food and cheap drinks. Thirteen folks will be bestowed with a Harold Award, and the Ken McDougall Award will be doled out. SPREAD THE WORD – pass this email on to your list….we hope to see you there!

FULL DETAILS BELOW

Sincerely,

THE 2009 HAROLDS COMMITTEE

Cathy Gordon, David and Robin Craig, Iris Turcott, Leslie Arden, Jenn Goodwin, Brendan Gall, Jim LeFrancois, Jonathan Rooke, Cayle Chernin, Allyson McMackon, Rick Banville, Sandy Tulloch, Lorenzo Savoini and Teodoro Dragonieri

THE FULL DETAILS:

The 16th Annual

HAROLD AWARDS

Monday May 25, at 8pm – Admission $12 – Canadian Corps Legion, 201 Niagara Street, Toronto – totix.com

No red carpet. NO CANAPES. No VIP RECEPTION – We jump through those hoops in June.

Hosted by DAVID Gale – brought up from the farm team especially for the occasion.

Sound by Justin Roddy/DJ Ziplock. With Scott B Sympathy and ‘Harolds Video’ by Kirsten Johnson.

Food, Entertainment, Booze, and Serious Fun.

2009 Awards Designed and Created by 2008 Harold Recipient Teodoro Dragonieri

Since 1994 The Harold Awards have come to represent the independent and hard-working spirit of Toronto’s theatre community. Inspired by, and named after the late Harold Kandel, this annual event is a rabble-rousing alternative to June’s Dora Mavor Moore awards. For 2009, the Harolds return to the Queen West neighborhood at the Canadian Corps Legion on Niagara Street. Thirteen people will be ‘Harolded’, a promising director will receive The Ken McDougall Award, and a rowdy time will be had. David Gale hosts. DJ Ziplock spins. Scott B Sympathy performs. Also featuring a special ‘Harolds Video’ by Kirsten Johnson.

HAROLDS HISTORY:

Born on May 30, 1906, Harold Kandel achieved notoriety in Toronto’s theatre community with his tireless commitment and frequent heckling. Knowledge of Harold’s presence in an audience would elicit a double-edged response of dread and pride in the heart of a performer. If Harold was in the house – it meant you had arrived. If Harold was in the house – it also meant it was going to be a long night. After Harold’s death in 1994 a group of 13 theatre artists assembled to create this now-legendary annual event in celebration of the spirit of dedication, commitment and passion of Toronto’s vibrant theatre community.

To be ‘Harolded’ is an honour of the highest subversive order. Awards are bestowed from one individual to the next in recognition of an outstanding and often under-recognized dedication on or off the stage. The Harold Awards lineage reads like a who’s-who of Toronto theatre, beginning with: Luther Hansraj, Kirsten Johnson, Sherrie Johnson, Jacoba Knaapen, Daniel MacIvor, Don McKellar, Darren O’Donnell, Alex Poch-Goldin, Nadia Ross, Lisa Ryder, Sarah Stanley, Deanne Taylor and the late and dearly missed Paul Bettis.

Each year, innovators, instigators and architects of the Toronto theatre scene descend upon a local establishment to honour fellow devotees, and to party. The evening is riddled with giddy secrecy, as those about to be ‘Harolded’ don’t know it. The Harold Awards is the only awards night of its kind – as unique as the man himself – an evening of surprise, pride and serious celebration.

THE KEN McDOUGALL AWARD:

Established in 1995 by Buddies in Bad Times Theatre, Platform 9 and Theatre Passe Muraille, the annual Ken McDougall Award serves to acknowledge a promising emerging director. Previous recipients have been: Franco Boni, Cathy Gordon, Michael Waller, Chris Abraham, Simon Heath, Patrick Conner, Ellen Ray Hennessey, Rebecca Brown, Nina Aquino, Kimahli Powell, Brendan Healy, Bea Pizano and Jacob Zimmer.